She has made works that merge seamlessly with the terrain, blurring the boundaries between two- and three-dimensional space and setting up a systematic ordering of the land that is tied to history, time, science, and language.

In her large-scale environmental artworks, Lin has consistently explored how we experience and relate to the landscape. A committed environmentalist, Lin's dedication to the natural world can be found in her most recent memorial, What is Missing?, a multi-sited artwork that raises awareness about the current crisis surrounding biodiversity and habitat loss. Lin's current projects include an earthwork in New Zealand a medical research center in Cambridge, Massachusetts a park in Newport, Rhode Island and the Confluence Project, a multi-sited installation that spans the Columbia River system in the Pacific Northwest, intertwining the history of Lewis and Clark with the history of the Native American Tribes that inhabit those regions.

Lin is the recipient of the 6th Annual Art/Act Award and is showing at the David Brower Center in Berkeley until February 4, 2015. Her work has been shown at the Carnegie Museum of Art and the Dayton Art Institute and this summer at the Nevada Museum of Art and Parrish Art Museum, New York. Louis Arts Club of Chicago Museum of Contemporary Art San Diego De Young Museum, San Francisco and Corcoran Gallery of Art, Washington, DC. Lin's work has been shown in solo and group shows throughout the United States and abroad, including the retrospective Systematic Landscapes which travelled from 2006 through 2009 to the Henry Art Gallery, Seattle Contemporary Art Museum, St. She has since gone on to create a remarkable body of work that encompasses intimate studio artworks, architectural works, large-scale site-specific installations such as 11 Minute Line in Wanas, Sweden, and Storm King Wavefield in Mountainville, New York, and further memorials including the Civil Rights Memorial in Montgomery, Alabama, and The Women's Table at Yale University.

Throughout her career Maya Lin has maintained a careful balance between art and architecture, having virtually redefined the idea of the monument with her widely visited Vietnam Veterans' Memorial in 1982. Through sculpture and drawing, Lin merges rational order with notions of beauty and the transcendental. Her artwork interprets the world through a twenty-first century lens, utilizing technological methods to study and visualize the natural environment. Maya Lin (born 1959 Athens, OH) creates highly acclaimed work encompassing large scale environmental installations, intimate studio artworks, architectural works, and memorials.

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